The Cave of Sounds is an interactive sound installation I’ve created in collaboration with members of the Music Hackspace during a ten month residency there. I’m excited to announce we’ll be exhibiting the work at the Barbican from 19-26 August as a part of Hack the Barbican.
Inspired by the prehistoric origins of music and the evolution of collective music making as a power to forge a common collective identity, the work is an ensemble of new musical instruments, each created by a member of the Music Hackspace. Meeting up every few weeks, we’ve been exploring what it means to create music together in a culture where composition involves hacking and subverting technology to explore new ways of creating sound.
Harmonic Motion is a new open-source project I’m working on that’s looking to simplify working with gestural sensor data and make it easier to construct complex mappings.
The idea is to create an interface that allows data processing modules to be easily wired together into a pipeline. This pipeline can then be saved to file and loaded within C++ code, or used directly to send OSC/Midi. These modules will include things like noise reduction or point-to-point distance measurements.
Later this month I’ll be teaching the three session evening course Introduction to Processing organised by Codasign. The course will be focused on the very basics of creative code for those with little or no previous programming experience.
We’ll be generating and animating sketches entirely through a few lines of code to create something looking a little bit like this one below. With this, I’ll explain a few programming essentials like functions, variables and loops as well as some of the fun stuff like seeded random generators and Perlin noise.
It takes place at SPACE studios in Hackney, London. More details on the Codasign website.
This Sunday will see the first audience test of Ensemble at Hack the Barbican Bazaar, a test event for a month-long takeover of the Barbican’s public spaces in the name of art, technology and entrepreneurship this summer. Watch this space for documentation of the event.
In the mean time, some photos of our meeting last Wednesday where we tested out the instrument-to-instrument communications system for the first time.
Susanna Garcia and Wallace Hobbes working on mini-theremins at a Music Hackspace Ensemble meeting, The Centre for Creative Collaboration, London. 24 March 2013.
Panos testing his gyroscope-based instrument for at a Music Hackspace Ensemble meeting, The Centre for Creative Collaboration, London. 24 March 2013
Ensemble is collaborative project I am leading with members of the Music Hackspace community as artist in residence involving the creation of a large sound installation and some unconventional musical performances to be showcased next summer. It’s about musical collaboration, its role within the music hacker community and the power of music to create a single collective identity out of individual expression.
We’re exploring this both in what we make and the process through which we do so. Each of us is creating an individual component of this installation over a period of nine months. Every month we meet to demonstrate and present our progress, and experiment to see how our contributions work together and understand the role our work plays within the group. The final piece of musical interfaces will encapsulate the different personalities involved and the collective identity that emerged. Behind the scenes, a little bit of technological magic will help to bring this alive to our audience…